Tag Archives: children

The Post-Partum Body

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Simon_First Smiles_December 2015

Above: The Reason Behind My Six-Month Leave

In January I returned to training after a six-month maternity leave. I was fifteen or so pounds heavier than what I had been pre-partum. I had a poochy stomach, and I had fat where I used to have muscle.

I was afraid that I would neither regain my shape nor my technique. It was my third pregnancy. I was old. I was tired. I might never recover.

On one hand, I want to live with my post-partum body, partly because our society despises it. Conversations following birth revolve on how quickly you return to your pre-partum weight. “When did you fit into your jeans?” we women ask each other. When my newborn was one week old, women (always women) ran their eyes along my midriff as if to assess where I could be slotted on the post-partum weight-loss continuum.

The female body and the maternal body continue to be central topics of gender wars. Some artists are trying to re-value the mother’s form. Jade Beall’s stunning book of photographs of mothers, The Bodies of Mothers, counteracts cultural body shaming and creates a media platform on which mothers can see reflections of themselves. I’m grateful for this and others’ attempts at exhibiting and appreciating the real maternal body.

I’m enjoying my own. I’m proud of what it has done (given birth) and what it’s doing (breast-feeding.) My son is growing from drinking breast milk only—the female body’s ability to nourish another body is a feat that continues to astonish me.

On the other hand, I miss my athlete’s body. My first Sensei used to talk about the pleasure of experiencing a freedom of movement that comes from having a strong, thin body. I worried about the impact of his words on students who were not rail thin or those who had eating disorders. But lately, as I’ve been losing weight and rebuilding muscle, I find myself remembering his words and partly agreeing with him.

In January, I returned to the dojo with my seven-year-old son. Each Saturday, I drag my transition-shy boy out of the house, into the white glare of the winter sunlight and, recently, into air sparkling with silvery snow motes.

Once we’re in the community centre’s gym, my son starts smiling. He loves karate. In the dojo, he doesn’t experience any of the mild behavioural challenges he faces at school. The instructors are strict but not intensely so. He adores them, in particular one of the men, who feigns to come at him with devastating punches. Once again, I’m faced with the gendered nature of experience: My son reacts better to male teachers than female teachers.

As for me, I’m finding the return to being a karate-ka slow. I had a complicated birth and my lower back and pelvis continue to recover. A weakness in my left leg is preventing me from kicking properly. But everything is improving. And I’m re-experiencing the sheer pleasure of being able to move again, the ecstasy of kicking and jumping.

Regaining my past athleticism is necessarily slow. I will continue to breast-feed my infant. Like the philosopher and feminist Lauren Bialystok, I find breast-feeding both instinctive and wonderful and have no intention of sacrificing it on the altar of body image. And I won’t be attending more than one karate class per week this year. I want to spend time with my baby and with my other children. Instead of class, I go to the gym, and supplement my training with yoga classes, which are shorter than karate classes and more suited to my tightly-packed days.

I’ll live with, and sometimes appreciate, my jiggly body. To hell with those who run their eyes along my maternal curves and bite their lips in judgment. I want my relationship to my post-partum body to be a personal one. I want the link between self and body to play out not on the public stage but in the private realm.

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Our Family Adventure in Japan

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 I apologize to my readers for my prolonged absence. I’ve spent most of the fall and winter of 2013 neck deep in a fiction project. Because it’s the school holidays, I’m taking a moment to pause for breath. (Apart from reading Harry Potter with my seven-year old, doing crafts with my four-year-old, and cleaning my half of our home office, I’m taking a break from almost everything). I also made a pledge to myself to return to my blog, and here I am.

Also, an update on the aforementioned, upcoming comic strip. In the fall, my collaborator and illustrator became pregnant. Due to a difficult first term, she was unable to work. She’s feeling better, and we’re back at work! More to follow in the coming months….

Last fall, we flew the whole family to Japan. My youngest being four and a half, my oldest seven and a half, we thought it not a bad time to travel halfway across the world to a foreign country, one with a thirteen hour time zone difference. And while the experience was challenging (my son ate only rice for three weeks), it yielded numerous rewards.

For one, being in a completely foreign culture strengthens family bonds. For another, we had the reward of experiencing a country we’d wanted to go to for a long time, one rich in nature and culture.

I spent a relatively short time there, so I don’t want to pretend I’m an expert on Japan—I’m not. But two things struck me: one, that Japan is parent and child friendly. I also noticed how rooted Karate-Do etiquette is in Japanese society.

Japan appears to be structured around family. Given the relatively low birth rate, I find this curious. Nevertheless, many things seemed to be made with the needs of the family in mind. The bathing culture in particular is family friendly. (Can I rave for a minute about how much I love Japanese baths. For one, I love lounging in water. I also appreciate that young girls witness women’s nude bodies in all their varieties, a healthy counter measure to media images of unrealistic women’s bodies.)

One village bath, in Yakushima (a small island south east of mainland Japan), had a wooden crib in its change room. I watched a young mother leave her baby in the crib while she went to bathe herself and her two other children. Old women gathered around the crib. The baby, who must have been three or four months old, squinted up at them, gurgling as the women cooed and fussed. In my own lonely months as a mother of young children, I would have given everything I owned for that kind of communal support. I found it hard enough to get away for a shower!

The degree to which the Japanese have solved those little everyday problems we encounter in modernized society astounds me. They seem particularly attentive to parental needs.

In many public washrooms in Tokyo and Kyoto, small, hanging booster seats are found not only in cubicles, but also beside the communal sinks. Mothers can seat the toddlers in the boosters while they themselves use the washroom or wash their hands.

Only a parent can fully understand the benefit of these hanging seats. No longer will you have to teeter off the toilet to try to grab a toddler attempting to crawl under the cubicle door, while you simultaneously try not to pee on your feet. No longer will you have to leave the sink prematurely in order to pursue a child, your hands dripping a trail across the floor, under others’ disapproving stares.

Visiting Japan, I understood for the first time where Karate-Do etiquette comes from. Everyone went out of their way to be helpful. We don’t speak a word of Japanese, but Japanese people were willing to work on understanding us.

And people bow, of course. Not only that, though. They are extremely attentive. When you speak to someone, they are fully present. Their bodies are still. They listen. Then they do everything possible to meet your needs. Everyone we met seemed to practice loving kindness, a practice undoubtedly rooted in Zen Buddhism.

I’ve often been told that Japan has a very low crime rate. I have an uncle who works in the police force in Paris. He informs me that Japanese tourists in Paris are often victims of crime, simply because, coming from a somewhat crime-free society, they’re unusually trusting.

On the day we left Tokyo for Kyoto, my husband forgot his wallet beside a subway ticket machine. Our train tickets, credit cards, and the cash we had just retrieved in preparation for our travel day (many places in Japan run on cash only) were in that wallet. Leaving us at the train station, he went back to our point of departure in the hopes that someone had retrieved the wallet. I sat the kids down on their mini suitcases at the side of an underground corridor, where thousands of commuters tripped briskly back and forth between subway and train lines. For the next two hours, we read books and, to the kids’ delight, ate vending machine chips and chocolate.

Two hours later, he was back.

He told me the story. The wallet had not been at the ticket machine, and, desperate, my husband approached the ticket collector. By dint of gestures and the Google Translate feature on his phone, he communicated his predicament. The collector pointed him in the direction of what turned out to be the Lost and Found room. There, my husband found his wallet. Train tickets, credit cards, and several bills were there, all untouched.

 

 

 

Drive

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A few weeks back, I received a compliment. I was in karate class, practicing Sanchin kata. The scene went like this:

Fellow colleague and instructor: “Ma’am: beautiful, flowing arm movements on the take-off.”

Me, flushed with pleasure: “Thank-you, sir.”

My energy picked up. I went home feeling newly committed to karate. This was in contrast to the previous weeks, during which I’d been experiencing a sense of lethargy during practice. For months, I’d been receiving mounds of (well-intentioned) criticism, and this had taken a toll in the form of my diminished drive vis-a-vis karate.

I’m not the strongest karate-ka in my school. Far from it. I have much to learn. When I tried to improve my rolls two years ago, I ended up injuring my neck and going through months of physical therapy. And my spinning wheel kicks make me look like a Weeble. You know: those egg-shaped toys that, as the Hasbro commercial says, “wobble but don’t fall down”? My average skills are probably one of the reasons why I have a complicated relationship with karate.

Although it’s not obvious to most people, I’m extremely competitive. I like to be the best at, well, everything. This has obvious drawbacks. For one, I sometimes experience an ugly hatred for those who are better at karate than me. Perhaps hatred is too strong a word. It’s more like powerful resentment. Toward, for example, karate-ka who have some sort of immunity to attacks of nerves, which I experience every time I demonstrate a kata. Those are the ones who go up in front of a tournament audience so that they can show off their moves. Who are these people, I think, upon encountering this bizarre phenomenon. And why can’t they just go away? (Okay, I only think this in my very darkest moments).

In his book, Drive, social scientist Daniel Pink argues that intrinsic motivation keeps us interested in a pursuit longer than extrinsic (reward-based) motivation. Intrinsic drive also purportedly produces the strongest results. That makes certain sense to me. I’m certainly not doing karate because of my enormous talent for it: I don’t garner many compliments these days. I practice karate because I love it. This passion keeps me going back to class, week by week. As to whether my passion has improved my technique, well, I’m reserving judgement in this regard.

This morning, I came across some notes I took of a conversation I had with my son when he was three years old. I wanted him to go with a babysitter and was trying to disengage him from my leg, to which he clung, a koala to a bamboo tree.

“You will go to the park with J—,” I said to him. “We’re going to say goodbye.”

He looked up at me, serious. “Ya,” he said. “And Mama will go to karate and Abba will go to work.”

Yes, indeed. And Mama will keep on going to karate.

 

Standing on One Foot

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Are you a woman, or a mouse? (Annie Dillard The Writing Life)

 

When to practice karate? This is always the question. I’m constantly trying to fit in all the things I enjoy doing, things that define me.

I finally have the time: since September, my children have been enrolled in full-time school. Ah, the joy of experiencing, for the first time in six and a half years, a long stretch of time: the hours between 9:30 and 3:00 (or, more realistically, between 10:00 and 2:00, for I need time to clean the kitchen, shop for groceries, prepare meals. Not to mention the time needed to eat that indispensable second breakfast.) But seriously, I’m convinced that every stay-at-home parent remembers that first day when their children stay away from the house for an extended period. I mean, a WHOLE DAY!

My main problem is that once I start doing something, I don’t want to stop and move on to something else. Do you know “Eureka,” that 1980s TVO cartoon on the Laws of Physics? There was one called Inertia. Inertia: that’s me. I always picture myself as the pebble in the cartoon: once you give me a push, I keep on rolling.

In practice, that means that if I start my morning off by writing, by afternoon I’ll still be writing. On the other hand, if I start my day seasonally categorizing my kids’ clothes, by the afternoon I’ll still be kneeling on my daughter’s purple rug, sorting through an unholy mess of bottoms and tops (my mother-in-law, bless her, is a passionate shopper who raised three boys, and is therefore thrilled to overbuy for her granddaughters), trying to decide if the hole in the bottom of her tights can actually be seen if she’s wearing a skirt over top, and, if so, if she can get away with wearing the tights another season (I’m the opposite of my mother-in-law – I dislike shopping and I hate throwing things out.)

Also, if I start my morning doing karate, hours later I’ll still be doing karate. After finishing last year’s summer day-long karate training, I felt primed to continue training for three more hours.

Because of my innate inertia, I make it a point to begin each morning by writing. Since September (not counting Jewish Holidays – why oh why are there so many darn holidays, and why, again, are we sending our kids to a Jewish school?), this has been my schedule: return home from school drop-off; eat a second breakfast; drink a caffeinated beverage; write for three hours; and eat lunch. The afternoon is a mixed bag of reading, meal prepping, grocery-shopping, tidying our narrow front hallway (ancient Victorian houses, sheesh), and doing anything else that needs to get done. All this to prepare for that moment when my lovely, high-energy children crash through the house, demanding that I fulfill their urgent needs. Yesterday, while I sat by the local pool watching my eldest take her swimming lessons, my three-and-a-half year old tried to get my attention by poking my, umh, chest, a practice I put a stop to immediately.

I am not like the extraordinary Carrie Snyder, an inveterate multi-tasker. Last spring, I read in awe that she was entertaining a sick kid (one of four), meal prepping, and proofing her latest book—simultaneously. (The Juliet Stories is nominated for the Governor General’s Literary Award. You can find Carrie at http://carrieannesnyder.blogspot.ca/.) I could never do this kind of multi-tasking. Never. For one, I hate interruptions. For another, there’s that small problem of inertia.

I’ve somewhat come to terms with the fact that I’m a long-distance runner, rather than a sprinter. And I’m embracing my inertia. I’m also starting to think that a much nicer way of talking about my inertia is by referring to it as my aptitude for intense focus.

All this to clarify why I start off each day by writing.

But where does karate fit in? I have three priorities in my life: family, writing, and karate. The order I put these in depends on mood and need, either mine or my loved ones. But how to include all three, more or less on an equal basis?

And how do I fit in all my other passions? I’m an exercise junkie, and I love running, swimming, doing yoga, and muscle training. Above all, I love walking. When I was little, my dad and I used to take long walks through Toronto ravines, and I’ve kept the habit of doing these walks. On these walks, my mind works out all sorts of problems, particularly those related to writing.

So.

At the moment I’m managing to fit in karate practice twice a week, always in the afternoons, on no fixed day (this is in addition to two, formal evening classes). On other days, I go to the Yoga studio. I swim. I walk.

Yesterday, in one of Toronto’s ravines, I stopped walking and let loose some punches, for practice. Just a few moves: I was wearing my long, wool fall coat, probably the most expensive item I own (bought three years ago on Boxing Day), and I was nervous about tearing it. I was also embarrassed, and surreptitiously looked around the ravine to make sure that no one was looking. Would someone, seeing me, assume I was not in my right mind, someone who, in my husband’s words, was “reacting to internal stimuli?”

Then I remembered my old Sensei, Konzak Sensei, speaking about courage. “Are you a man, or a mouse?” he would ask. I’ve always amended this to “are you a woman, or a mouse?” (Yesterday, I was thrilled to come across this same aphorism in Annie Dillard’s book The Writing Life.) So I kept throwing out punches. Then, noticing my shoes were caked in mud, I stopped punching and continued walking.

I’d love to hear from all of you—readers, mothers, karate-ka—about how you include exercise in your routine. And how you manage your numerous passions. In the meantime, I’m embracing something my friend and skillful career coach, Ayelet Magen, says. Balancing is like standing on one foot, she notes: you wobble, move from side to side as you struggle to stay upright.

 

 

 

 

 

Heidi Reimer

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Here is an excerpt from a fabulous piece on motherhood by the talented Heidi Reimer, published in Literary Mama:

The psychic is down-to-earth and expensive. My husband, Richard, is young. He lives in London, and has not yet moved to the US, where he will meet me, or to Canada, where he will marry me.

She tells him she sees him living on a lake, with twins….

To read more, go to http://www.literarymama.com/litreflections/archives/2012/10/prophecy.html

Waiting it out, with poems and children

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There’s a good excuse for my long silence: I’ve been reading and writing poetry, which is consuming much of my spare time. More exactly, I’ve been taking an online course with Peter Levitt, poet, student and teacher of zen.  It’s a type of “translation” course that is not precisely a course in translation.

Here’s how it works: each week, Peter gives us the bare bones of a translated poem, and we “re-write” or “translate” it. To me, it feels like an ongoing, always changing conversation with a line-up of incredible poets: Wang Wei, Neruda, Dmitry Kedrin, and, my favourite so far, Cesare Pavese.  Through Peter’s teachings, I’ve learnt a great deal, about how I read, for example, or how I write. Or, more precisely, how I could read differently. Some of the things I’ve learned seem applicable to other areas of my life. Karate practice. Raising children.

Used to be that, when I read a poem, I would tear through it. When I was a graduate student, it seemed crucial that I come up with conclusions quickly. Often, I would formulate several points before even finishing a poem.

Peter does things differently, and, through his course, I’ve learned a practice of waiting. Instead of tearing through poems, I read them slowly. I read them repeatedly. I wait. I turn words over in my mind, on my tongue. I treat them as I would a friend: I tilt my head and, cocking my ear, I listen to what they want to say to me. Sometimes I understand them. Sometimes I don’t. But I keep listening.

Two weeks ago, my six-year-old daughter stalled at bedtime.

“I want to sleep in your room,” she said. She was harking back to one night a few weeks ago, when our street construction was so loud that I’d let her fall asleep in my bedroom, at the back of the house.

“No, I’ll be sleeping there,” I said. I was longing for an end to toddler and pre-schooler chatter. I was thinking of television. I longed to cauterize serious thought with the vacuous commentary of a talent show host.

“Please?” she said. “Pretty pleasy lemon squeezy?”

Typically, I would find my firm voice. I would tell her to go to bed. This time, I looked at her. “Why do you want to sleep in my room?” I asked.

“It’s less hot,” she said.

I believed her. My daughter, who in winter wears sundresses under her snowsuit, and who refused to wear pajamas until she was four years old, is always hot. And her room, facing west, gets more sun than the rest of the house.

“Ah,” I said, and waited.

“And,” she said,”your bed is more comfortable.”

It occurred to me that the bed she slept in was a cheap mattress we’d bought when she was born so that I could have a place to rest in between night feedings. “Should we be talking about a new bed?” I asked her.

She stared at me. Slowly, she nodded.

“So we’ll think about a new bed,” I repeated.

She burrowed into the bed, asked for a kiss, and wished me good night.

Turns out, listening works as well for raising kids as it does for reading poems.

Beginnings, and Ne Fan Chin Sho Dan

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Lately I’ve been jogging to a local city ravine, practicing karate, and jogging home. Yesterday, I had a hard time getting out there. We’re leaving on a trip and I had suitcases to pack and a house to clean. It was hard to justify karate practice. I reminded myself that beginnings are always hard, whether it’s practicing karate or playing with one’s children (don’t get me wrong: I love reading to them and doing sports and music with them, but getting down on the floor and playing dolls/action figures with them does not particularly interest me). I have found, however, that once you get past the starting phase in anything, it gets easier, and you start to have fun.

So I went on my jog, and I did some karate, and I started having fun. I practiced Ne Fan Chin Sho Dan kata, which we’re working on in the dojo. The following is some of what I’ve learned so far:

Ne Fan Chin Sho Dan

  • fully complete each down block. It should extend past the side of your body.
  • Make sure each strike is powerful, even when you speed up the kata
  • The forward-facing punch, which may or may not be called a “reverse fist punch” (there was some discussion in the dojo as to its proper name – comments on this are welcome), should come straight out and aim for one’s nose
  • When you bring your leg up to dodge an attack, make sure to bring it up high enough i.e. Your foot should go up to your knee (you’re avoiding a sword, and you probably want to avoid getting your foot chopped off)

I welcome comments from all your karate-ka out there. All the best, LB

Struggles and a Sense of Play

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I realize that I haven’t been entirely honest. Also, that I’m being too preachy. Mainly, I haven’t been open about my struggles. Among others (Haruki Murakami, Sarah Selecky, Anne Lamott), one of my greatest influences is Ayelet Waldman. What I admire about Waldman is her candour. I wish I had even half her chutzpah. Writing honestly is easy; facing your parents at a family dinner after they’ve read one of your “tell-all” pieces is something else entirely.

So, in the spirit of Waldman and some of her (possible) literary predecessors like Colette and Anaïs Nin, here goes.

The reality is that I struggle every day. Each day, I have to talk myself into doing simple things. Partly this is because I’m often at home, with young children. Most of the time, I feel exhausted, with a mountain of housework to be done (I hate housework almost as much as I hate living in mess. In the interest of full disclosure, I have help, but anyone who’s ever run a household knows that housework is Sisyphean). I have financial business to attend to and children’s activities to organize. In this atmosphere, karate starts to seem like another item to be ticked off, one of many tasks keeping me from curling up on the couch with Real Simple, or watching another rerun of Angel (and when is Game of Thrones starting up again, anyway?).

Some of my other struggles include:

    • Leaving my happily playing children at home while I go to karate class
    • Leaving my whining children and a cranky husband (sorry, husband) at home while I go to karate class
    • Practicing karate at 9:15 am after school drop-off, following a white night (I’ve had many of these lately, mostly due to the Toulouse terrorist attacks. Like the victims of this attack, my children are three and six years old, and go to a Jewish school. You can imagine the sleeplessness these resemblances have prompted)

In other words, these days, I approach most tasks with a feeling akin to making my way through molasses.

But I also think that many of struggles have to do with my relationship to performance.

Lately, I’ve noticed that I’m atypically afraid of doing karate, of, for example, trying certain techniques.

The other day, the instructor prepared us to do flying side kicks. For years I had been studiously avoiding practicing flying side kicks, for the very simple reason that I suck at them. Until Saturday’s class.

The instructor brought out two large, blue mats. Two tall men were instructed to hold them while the rest of us kicked them (the mats, not the men).

“Line up,” said the instructor.

Great, I thought. I’m weak (I’m still recovering from that darn neck injury), I have to do flying side kicks, and I have to do them in front of everyone.

We lined up. My turn arrived. I ran, I leapt, I executed a terribly weak sidekick. The mat barely moved: it gave a weak knee kind of tremble, the type you get when you haven’t eaten lunch and for a split second your legs give out. I went back into the lineup.

Watching the other students, I noticed that the kids had the easiest time with these kicks. Of course, being two decades younger than me, they have flexibility working in their favour. And the young men, especially, have a kind of helpful gusto, a brash confidence. But I think that in addition to these attributes, they have something else. And that is, a closer relationship with playing. Those young girls and boys kicked the mats with joy. They approached the exercise with a sense of play, and not with a feeling of dread.

I kept kicking. My kicks improved slightly, but not much. I’ll keep you posted.

I think that it’s also helpful to approach poetry this way. When I read poetry now, I think of Emily Dickinson’s line, “My business is circumference”. It speaks of measurement and linearity, but also to something circular: doing something with intent but without trying to master it, to hem it in.

I want to approach karate this way, particularly difficult techniques such as rolling, flying side kicks, and reverse crescent kicks. With a kind of circling or, using another analogy, in a kind of darting, humming bird motion. In other words, with a sense of play.

So, in this spirit, I pledge: 1. To be more honest and 2. To play more, in karate and in these entries.